29 September 2017.
Art museums are not high on my list these days. We’ve seen so many. I could live a long time without ever seeing another Egyptian sarcophagus and contemporary art usually leaves me laughing and perplexed, although we have viewed the magnificent Peggy Guggenheim Collection three times. E basta.
Biennale venue, Giardino.
But when you wander into Venezia in the middle of the Biennale, it only seems fitting to take in the event. In this, our tenth trip to La Serenissima, we unintentionally coincided with a Biennale year. So we went. Luckily we got the senior discount.
The venue at Giardino is lovely. I had no idea there were permanent pavilions. In many cases, the building eclipsed the art. Russia’s site and exhibit were very “1984.” That was our favorite of the paid-for venues.
There were some charming pieces around the city that were for public enjoyment. We did not get to hunt down all of them but saw several we liked.
A small portion of Russia’s monochromatic installation.
Korea’s pavilion. The exterior was the best part.
Super-sized and shiny, this rhino contemplates Venezia across the Laguna.
Coinciding with the Biennale was an exhibit at the contemporary museums Punta della Dogana and Palazzo Grassi, a first-ever event where one show completely filled both venues: “Treasures from the Wreck of the Unbelievable” by Damian Hirst. Three of Hirst’s pieces were visible in Venezia outside of the museums and they were crazy, huge, classical-looking works of art reminiscent of much we have seen throughout Italy. That drew us in. How could this be contemporary art?
One of Hirst’s classical pieces on public display.
It is a big joke. Hirst created a fantasy about a treasure trove of items collected by a freed slave, Cif Amotan II (an anagram*) These are wonderfully displayed, many in a before-and-after manner: encrusted with sea life, barnacles, etc., then polished and gleaming after restoration. The Guardian called it “art for a post-truth world.” Click on any photo for a better view and caption.
Hirst’s “Demon with Bowl” stands 18 meters (59 feet) tall, taking up the entire 3 -story atrium of Palazzo Grassi.
Ric offers a perspective on size of the demon’s foot.
A large format statue “found” encrusted with sealife.
Some of Hirst’s fictional discoveries.
Hirst’s giant clamshell displayed in the historic Punta della Dogana.
One of Hirst’s pieces displayed on the Grand Canal.
Another public WOA by Hirst, also near Punta della Dogana.
Hirst went so far as to stage elaborate underwater photography of the salvage operation of some pieces. All of the curation supported the myth in detail. Only when one read the fine print about the materials used was the gag given away: granite, marble, resin, MDF, gold, silver….
We thought it was brilliant, although many critics were appalled. Hirst has the last laugh as people are pouring in to see it and reportedly many pieces have sold. I hope so: he spent £50 million of his own money and ten years putting the show together. When you are wildly successful, I guess you can take risks.
We stopped on Mazzorbo for lunch at Alla Maddalena. A far cry from Venezia proper.
I have to mention a lovely experience we had away from the crazy crowds. This is one of the reasons people should stay longer in Venezia: to get away from San Marco and enjoy the islands where the Venetian Republic was born.
A short vaporetto ride from Venezia is peaceful Mazzorbo, incorporating a wine resort, Venissa. Might have to contemplate staying here some time.
We often visit the laguna islands, but this time we went to Mazzorbo, specifically for a quiet lunch on a perfect day. While most people head to Burano, we got off one stop early on quiet Mazzorbo. The terrace at Alla Maddalena was full, mostly with people arriving by water taxi. And they were having the taxi wait while they dined! We only heard one other table speaking English. Seemed to be lots of Italians in the know about this place. Prices are reasonable and it was far more charming than the places we usually eat on Burano. No reservation? Plan on eating inside which is where the walk-ins were escorted.
My delightful lunch at Alla Maddalena, a mixed seafood grill. Ric had lovely grilled eel.
It was a bit of art-focused trip, more so than usual for us. Punctuated by terrific meals and of course lots of walking in one of the world’s greatest cities for wearing off pasta.
Joseph Klibansky bronze turtles entitled “Baby we Made it.”
Newest shopping opportunity in Venezia, T Fondaco dei Tedeschi in a 16th-century building. Can you say high end?
Sunrise on the Grand Canal.
Girovaga 